“Compute mask” determines the initial extraction, and allows you to choose various methods to look at the outcomes. Once you’ve selected the color, you can apply a brush to the area and watch it change as it expands or is removed, depending on the method you’re working on. Utilize the green-eyedropper to choose the color you want to keep, and the red-eyedropper to choose one color to get rid of. The color range defines the range of shades that are available from the color you choose. When you click the Color Range option there are two sliders that can be adjusted, the brush size and the color range. After I’ve finished using the blue one, I’ll apply the red and green brushes to color the areas I’d like to preserve and then remove. In spite of the intricate nature of the picture, this is an amazing job. The sparrow’s tail is gone as well as the branch that this bird perched still in good condition. You can view some of the results close up and in four different perspectives below. Continue working on the areas where you are sampling color in the process before each stroke. It’s possible the area on the right hand is not being captured perfectly. Screenshot 26 displays the picture in Photoshop in contrast to the background. In other words, you could show it with the mask. You can also change the background and foreground or even your composite image to create a stunning blended image. You are able to work in each of these views, and even change between them.īlur the background or pick a new photo or a solid color to give an entirely new appearance. Screenshot 4 displays the Trimap of the Mask the original image, and the extracted Keep image. On the top right corner of the screen, there are three options to view either one image or side by side or four images. I copied the background layer and then moved the Mask made using Topaz by using the level adjusted image onto this layer. Here is the final result in Photoshop with a background. The Topaz Mask AI review will guide you through a quick overview of the application. Topaz Labs has created Mask AI to help make the process of masking faster. Masking in photography can be a lengthy task when editing photos.
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I ensured that both the background as well as the foreground were busy testing the software to the limit. To test this feature I attempted to hide the sparrow in the image below. I’ve had Remask for some time and I finally understand the best way to utilize it using the simple demonstration. Thanks, Carolyn Julia Moore for this amazing instructional video. So you can repeat the tutorial at any time you’d like. Then I select the fill option in red to choose the areas I want to take out. This is what I did, drawing around the model’s hair and model with the blue brush which contained the green within these limits. The default when you open it is colored green.
But, it’s usually not the case since ReMask excels in the area of solving problems. When I first began using ReMask I believed it was the more exact you are in making the image ready with these brushes the more efficient ReMask could do. In the blue area, ReMask is at the hardest in making decisions about the boundaries of what is allowed and what’s removed. Here you decide what you would like the program to calculate. If you do not often make use of masks, then it won’t be worth it. It is possible to add an image background that is either a solid color or import an image. It is generally easier to see it against a background.
If you’re working on the saved image, it is recommended to keep it. You can switch the ‘Magic option’ to fine-tune your selections and make them more similar to an ordinary brush. If you have a lot of pictures, you’ll have some fine-tuning. This is extremely helpful for picking hair colors, as hair usually consists of a range of comparable shades. This is the primary reason why even Mask AI was not being in a position to provide 100% accuracy in auto mode. It all depends on the kind of images you’re dealing Masking may become extremely difficult. The task Topaz Mask AI is aiming to achieve is not an easy undertaking. This can be useful to go beyond the boundaries of removal and can even be used on areas where removal and recovery are alike in color. Utilizing the red, green blue, and red brushes you inform Mask AI which parts of the image you wish to preserve and which ones to eliminate. The method I use to paint the mask is by employing the blue-colored brush before changing the brush’s size that allows me to paint across the edges of the needed mask effortlessly. Topaz Mask AI integrates seamlessly with Photoshop. Don’t fret if you depend on Photoshop for editing your photos.
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